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The HBO movie Phil Spector is a production that demands attention because of the heavyweight names attached. First, of course, there's the subject of the drama: Spector himself, the man who invented the "wall of sound," and recorded hits for everyone from the Crystals, Darlene Love and Ike & Tina Turner to the Beatles and the Righteous Brothers. Oh, and who also went on trial, in 2007, for the 2003 shooting death of actress Lana Clarkson.

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TERRY GROSS, HOST:

The release last year of a 2007 reunion by the late Sam Rivers' trio confirmed what a creative drummer Altschul is. He has been one for decades. Altschul was a key player on the 1970s jazz scene, when the avant-garde got its groove on. Now, as then, he's great at mixing opposites: funky drive with a spray of dainty coloristic percussion, abstract melodic concepts with parade beats, open improvising and percolating swing. He's a busy player, but never too loud — he's also busy listening.

Ten years ago, the United States invaded Iraq and began what the Bush administration said would be a short war.

But it wasn't until December 2011 that the United States officially ended its military mission there.

In addition to the tens of thousands of Iraqis who died, the war cost the lives of nearly 4,500 American service members, and wounded more than 32,200 men and women in America's military. Many of the wounded vets have faced — or are still facing — long waits for their disability and other benefits to begin.

The orchestral swirls, the transition to a soul-man groove, the falsetto croon — there you have some of the key elements to Justin Timberlake's album The 20/20 Experience. The title implies a certain clarity of vision, even as any given song presents the singer as a starry-eyed romantic, bedazzled by a woman upon whom he cannot heap enough compliments, come-ons and seductive playfulness.

In Chinua Achebe's novel The Anthills of the Savannah, one of the characters says, "Poets don't give prescriptions. They give headaches."

The same is true of novelists, and none more so than Philip Roth. If any writer has ever enjoyed rattling people's skulls, it's this son of Newark, N.J., who's currently enjoying something of a victory lap in the media on the occasion of his 80th birthday. The celebration reaches its peak with a new documentary — Philip Roth Unmasked — that will screen on PBS next week as part of the American Masters series.

In January 2011, writer Emily Rapp was a happy new mother when she and her husband found themselves in a pediatric ophthalmologist's office with their 9-month-old son, Ronan. They were worried about Ronan's development and had gone to the eye doctor to rule out vision problems as the culprit. Checking Ronan's retinas, the doctor saw "cherry-red spots on the backs of his retinas," Rapp writes in her new memoir, The Still Point of the Turning World. Ronan's diagnosis that day was Tay-Sachs disease, a genetic and degenerative condition that is always fatal. There is no cure.

Fresh Air Weekend highlights some of the best interviews and reviews from past weeks, and new program elements specially paced for weekends. Our weekend show emphasizes interviews with writers, filmmakers, actors and musicians, and often includes excerpts from live in-studio concerts. This week: