Mariel Roberts' sophomore release is Cartography dropping Friday, May 19 on New Focus recordings. It is magical to say the least, and filled with complicated and engaging works. Tailor-made pieces include New York composers Cenk Ergün, Davi∂ Brynjar Franzson, George Lewis, and Eric Wubbels. If you're curious, a new music fan, or just looking for astonishing music making, you'll want to check Cartography out. John Clare spoke to Mariel about the album.
“Trailblazing” cellist Mariel Roberts (Feast of Music) is widely recognized as a deeply dedicated interpreter of contemporary music. Recent performances have garnered praise for her “technical flair and exquisite sensitivity” (American Composers Forum), as well as her ability to “couple youthful vision with startling maturity” (InDigest Magazine). Roberts’ work emphasizes expanding the technical and expressive possibilities of her instrument through close relationships with innovative performers and composers of her generation. Her passion for collaboration and experimentation has led her to premiere hundreds of new works by both emerging and established artists.
Roberts has appeared as a soloist and chamber musician across four continents, most notably as a member of the Mivos String Quartet, as well as Wet Ink Ensemble and Ensemble Signal. She performs regularly on major stages for new music such as the Lincoln Center Festival (NYC), Wien Modern (Austria), Lucerne Festival (Switzerland), Cervantino Festival (Mexico), Klang Festival (Denmark), Shanghai New Music Week (China), Darmstadt Internationalen Ferienkurse für Neue Musik (Germany), and Aldeburgh Music Festival (UK). Mariel has been featured as a chamber musician on recordings for Innova, Albany Records, New World Records, New Amsterdam, Carrier Records, New Focus, and Urtext Records.