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I'll Take the Fire is the third book in a trilogy inspired by generations of Leïla Slimani's Moroccan French family. She is also the author of the bestselling thriller The Perfect Nanny.
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Ferrell plays a zany former golf star who's trying to regain his mojo in a new Netflix series. While The Hawk has its flaws, it delivers satisfying silliness, amusing shenanigans and surprise cameos.
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Catherine Coldstream entered a Carmelite monastery at age 24, and lived a life of prayer and obedience for 12 years. Her memoir is Cloistered: My Years as a Nun. Originally published March 20, 2024.
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Based on Marissa Stapley's 2021 crime novel, Lucky is an aggressively entertaining series about a con woman who absconds with millions of dollars — then must evade the mob and the law.
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Plastic surgery is becoming so normalized and undetectable, it's changing our relationship to reality. The New Yorker staff writer Jia Tolentino considers how beauty standards have dovetailed with AI.
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Critic David Bianculli says The Bear concludes its run with a beautiful final episode. And we listen back to a 2025 interview with Ebon Moss-Bachrach, who plays an abrasive and ornery cook/maître d'.
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Craig has cooked in a high-end restaurant — and for 7,800 prisoners in jail. He writes about cooking, his struggle with addiction and his Native American heritage in the memoir Our Knives Will Save Us.
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The Odyssey feels like a prism through which Nolan's earlier films can be understood. A downbeat realist by nature, Nolan imbues the epic with a fascinating tension between fantasy and skepticism.
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The New York Times journalist Jonathan Swan says the president is fixated on becoming a "great man of history" during his second term. Swan's new book, written with Maggie Haberman, is Regime Change.
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The New Yorker writer Jonathan Blitzer says thousands of people are being held in tents in the El Paso desert, where inhumane conditions have become a tool to pressure people to accept deportation.