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A cultural chameleon with a handful of viral hits, the rising rapper's Come Home The Kids Miss You misses the mark.

To ward off Elon Musk, Twitter's board will have to show it finally has a plan to address long-standing business problems.

Kurt Wagner's Nashville collective has always been an expression of absolute possibility. The Bible, his best album in a decade, points that instinct at life's most inescapable truth.

Scott Franzke has been calling MLB games in Philadelphia since 2006. He sizes up the teams headed into the World Series and reflects on upcoming changes designed to put more action in the game.

After three weeks, NPR's Leila Fadel speaks again with Assalah Shikhani, a Syrian refugee who lost family members and her home when an earthquake shattered parts of Turkey and Syria.

Here are the athletes who struck an emotional chord, some for better, some for worse, at the Rio Games.

"I think most videos from the '80s are pretty cheesy, to be honest," Astley says. He speaks with NPR's Michel Martin about his career, his new album — and yes, rickrolling.

The Australian singer never intended to be a pop star, but thanks to David Guetta, she was thrust into the spotlight. Now she's accepting her new stature without bending to the whim of others.

Brandi Carlile will put out her fifth album, The Firewatcher's Daughter, in March. She talks with Ann Powers about family, her new album and the necessary recklessness of first-take rock and roll.

Known for free-form jazz and rock experiments, Chris Schlarb here sings with just an acoustic guitar. The animated video for "The Great Receiver" is an artful meditation on the miracle of life.