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"To Kill A Wind-Up Bird," off of multi-instrumentalist and composer Patrick Shiroishi's upcoming solo album Hidemi, layers saxophone and woodwinds in a frantic, yet controlled splatter.

Resonant gongs, vibraphone, fluttering trumpet and groaning, synth-like transmissions from Aarset's guitar coalesce over the seven minutes of "Manta Ray."

For a taste of the pianist's technique, here's a lighter mood from Shostakovich that sparkles with interlocking inner voices that ripple as clear as a mountain stream.

With bold harmonies, pointillist texture and winding rhythms, Ólafsson's composition offers — in less than two minutes — a distinctly modern sound that looks toward the future.

Emmylou Harris, queen of Nashville, and the Nash Ramblers, an all-star, bluegrass-leaning acoustic band, perform a breakneck live version of the Junior Parker and Elvis classic "Mystery Train."

One half of the sister duo Chloe x Halle respectfully and ardently invokes Aaliyah on her debut solo single.

Blackfishing aside, there's a reason Jesy Nelson isn't a household name. With toothless lyrics and nondescript vocals, Nelson commits the cardinal solo career sin: being boring

Mitski's most compelling songs are about the grueling work of chasing your dreams; her new track is a powerful entry into that canon.

The type of song you play on speakers until they burst, "check1" pushes the needle forward for a genre that sometimes feels stuck in its own mythos.

Debra McCoskey-Reisert remembers her brother, Bobby McCoskey, who died from COVID. Bobby loved the song "Closing Time" by Semisonic, because they played it at dances he attended.