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This year, during the 70th anniversary of the liberation of the Nazi death camps, some teachers are placing more emphasis on creating lessons about "how Jews lived than about how they perished."

When Bad Bunny released YHLQMDLG, he coined a new term: "bichiyal." It fuses two Puerto Rican slang words—"bicha" and "yal"—and illustrates reggaeton's complicated relationship with class and women.

The song "Strange Fruit" is the powerful and thematically horrifying centerpiece of the new film The United States Vs. Billie Holiday, which positions music as a powerful force for change.

The film's dreamlike score, by the French duo Air, sounds the way high school feels: frustrated, isolated, fearful and hopeful all at once. Under social distancing, it's not hard to relate.

NPR's Ailsa Chang talks to Tracee Ellis Ross about starring in The High Note, a movie about an over-40 superstar singer navigating the music industry with her assistant, who has her own music dreams.

For migrants traveling north to the U.S.-Mexico border from countries like Chile and Brazil, the trip has become virtually impossible without two things — a smuggler and social media.

The singer's life and legacy have always been clouded with salacious gossip and harsh judgment. Author Gerrick Kennedy says it's time to reexamine that.

"I always made the decision to run, and I usually got away." A Martinez found a relatable and human superhero in The Flash, and grew up to be a superfan.

The sapphic music label turns lesbian identity into a homogenous category.

Ca$ino, the rapper's second album for his cousin Kendrick Lamar's label, is whiplash embodied, a mirror for the extreme highs and lows of his Sin City hometown.