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Swindle smoothly traverses jazz, hip-hop, grime, soul, electronic and R&B in this future funk masterpiece you'll want to keep on repeat for weeks.

Composer Tyshawn Sorey's symphonic salute to one of his mentors, For George Lewis, evolves gradually in tranquil, multi-textured waves of sound.

Imagine you're suspended in some primordial gas cloud where matter is transforming, regenerating, building toward the birth of a planet. That's what Enigma sounds like.

Moved both by the loss of a founding member and a desire to return to the rap group's experimental roots, Injury Reserve's "Knees" feels like a musical left turn.

Watch Blue Note recording artist Nduduzo Makhathini and vocalist Omagugu Makhathini perform a healing duet from their home in South Africa.

A driving drum beat and string section give the song a sinister feel, while its gospel chorus reminds us that we're not headed down this path alone.

"Letting Go" is a slow burn, glowing auburn against pedal steel, synths and Pedigo's loping guitar as if the song's got nowhere to go, yet is compelled by unseen forces to move on.

This feels like a warm welcome back from two old friends you haven't seen in a long time. Robert Plant & Alison Krauss' first album together in 14 years, Raise the Roof, is out Nov. 19.

This piece, from a new album of orchestral works by Richter, depicts the opening of Virginia Woolf's Mrs. Dalloway by pairing pulsating rhythms with the composer's signature wistful melodies.

When a comet hit the sun over the weekend, an impressive eruption followed. Scientists had thought comets weren't large enough to produce such a reaction. Some are rethinking that.